Aleksandra Bajde

Singer & composer with a background in social sciences



  • April 20, 2021 | A Clockwork Violin for solo violin will be premiered in the framework of the concert Night of Slovene Composers at Knight’s Hall, Križanke in Ljubljana (SI)
  • March 2, 2021 | kO[h] for voice and ensemble will be premiered by Aleksandra Bajde and Janus Ensemble at Sargfabrik Wien (AT)
  • February (date tbc), 2021 | Kollision. Freiheit. Klaustration. Aleksandra Bajde (voice, sound objects) & Isabella Forciniti (electronics) at MMC Kibla in Maribor (SI)
  • February 19, 2021 | Kollision. Freiheit. Klaustration. Aleksandra Bajde (voice, sound objects) & Isabella Forciniti (electronics) at Alte Schmiede in Vienna (AT)
  • October 8, 2020 | duo clearobscure in the framework of the winners’ concert of the Impro-Parcours competition in Vienna (AT)
  • June 30, 2020 | Human Signs – global participatory voice and dance project – by Yuval Avital online


Aleksandra Bajde is a Slovenian singer and composer living in Vienna. In her native country she studied the violin, the piano, and classical singing at the Maribor Music and Ballet Conservatory. In 2011, she graduated in Jazz Singing from the Conservatorium van Amsterdam under the tutelage of Sylvi Lane and Annett Andriesen. During her music studies, she was selected for an Erasmus Program at the Hochschule für Musik und Tanz Köln. In 2013, she obtained a Bachelor of Arts in a Bachelor’s (Honours) degree program in liberal arts and sciences (with a focus on International Relations and Sociology) from Amsterdam University College. In 2014, she completed a trilingual Master’s program in Advanced European and International Studies at the European Institute in France. In June 2018, she completed her Master’s degree in Composition with distinction at the Anton Bruckner Privatuniversität in Linz, where she studied under the guidance of Christoph Cech and Carola Bauckholt. Here she also pursued a Master’s degree in Jazz Singing under Elfi Aichinger. 

Her music has been performed in several European countries, including Austria, Germany, Italy, Slovenia and the Netherlands, as well as in prominent venues and festivals, i.e. Alte Schmiede, Porgy & Bess, Brucknerhaus Linz, Leicht über Linz, Crossroads Festival in Austria; November Music, Operadagen Rotterdam in the Netherlands; Cologne Opera in Germany and many more.

In 2019, she was granted a Working Scholarship for Composition as well as a “Startstipendium” for Music and Performing Arts by the Federal Chancellery of Austria. In 2020, she was awarded the Theodor Körner Förderpreis for composition and was selected for the European Music Council Fellowship Programme 2020 – 2021.

Her recent work is a hybrid of composed and improvised music that includes elements of performing art through which she discovers her personal expression. Her interest lies in exploring contrasting and diverse sound layers of various timbres and textures. She continuously expands her sound palette in her music through incorporation of unconventioanl singing and playing techniques, different sound objects and electronic sounds. Her music aims to create exciting, impulsive music, with a focus on shaping different, high-contrast music scenes and situations.

Currently, she works as the Office and Project Manager at the Austrian Section of the International Society for Contemporary Music. From September 2014 to September 2018, she served as the Project Manager and Secretary at the European Federation of National Youth Orchestras. Previously, she acquired professional experiences in diplomacy at the Consulate of the Republic of Slovenia in France and at the Embassy of the Republic of Slovenia in Vienna.


Večer (in Slovenian): Aleksandra Bajde: Dunaj in Avstrija cenita umetnost

Donne 365 (in English): Meet the ComposHER: Aleksandra Bajde

mica – music austria (in German): „[Meine] Musik ist eng mit meiner Persönlichkeit verknüpft“


duo clearobscure (Aleksandra Bajde & Emre Sihan Kaleli) is a contemporary music duo currently based in Vienna. Their work combines contemporary playing and singing techniques with theatrical elements and improvisation. As a duo they performed in Austria, Germany, Italy, and Slovenia.




Throughout her studies, the question of women’s creativity has been a major focus of her research. Her article Questioning the Question: Women, Genius, and Music Composition: Otto Weininger’s Creative Imperatives: A Case Study of Alma Mahler was published at the international symposium entitled Europe in the Time of Franz Liszt, 13th – 15th of October, 2016, Maribor, Slovenia.